It used to be that horror on television was tame. It was PG-ish stuff like Scooby-Doo and The Twilight Zone. Good fare, but these shows all held horror at arm’s length, like it was a subgenre or something shameful. Now, with streaming, TV horror shows can be just as creepy and scary as their movie brethren. They’ve shed some of their sci-fi and mystery armor to be fully grown-up, unashamed gore that’s perfect for Halloween bingeing. Below are some of our faves. If you like them, you may also want to check out our lists for the best horror movies or scary Halloween tech.
Updated October 2024: We added What We Do in the Shadows, Grotesquerie, Them, The Fall of the House of Usher, and Yellowjackets.
Stranger Things
A spiritual successor to many of the shows and movies Gen Xers and Millennials loved growing up, Stranger Things serves horror tropes with a nostalgic glow. The fourth season (the best so far) leans heavily into ’80s horror, with the villainous Vecna reaching his fleshy tentacles into his victim’s dreams to exploit their worst fears. The show reverently acknowledges its debt to Wes Craven’s A Nightmare on Elm Street series, with Freddy Krueger (Robert Englund) himself popping up as Vecna victim Victor Creel.
What We Do in the Shadows
Spun off from the wonderful movie of the same name by Jemaine Clement and Taika Waititi, this show about a group of vampire roommates living on Staten Island is comedy perfection. Nandor, Laszlo, and Nadja have been vampires for centuries and struggle to fit into the modern world. They live with energy vampire Colin Robinson and Nandor’s familiar Guillermo. It’s a comedy with a horror backdrop, beautifully made and acted by all concerned, and its sixth and final season is airing now.
Castle Rock
The eponymous depression town (in more ways than one) is a kind of nexus for Stephen King’s characters, and Castle Rock is a treasure trove of references for fans, but it also works as a captivating standalone story. Season 1 focuses on a mysterious inmate at Shawshank, and Season 2 introduces a young Annie Wilkes (pre-Misery). If someone built a King theme park, it would surely look like Castle Rock. This fictional Maine town first appeared in The Dead Zone, served as the setting for Needful Things, and has popped up repeatedly like a bad penny in King’s work over the years. With Hulu’s show, it gets a tale all its own.
Archive 81
When archivist Dan (Mamoudou Athie) is hired to restore some old video tapes, he soon becomes engrossed in the work of a woman named Melody (Dina Shihabi) who was investigating a demonic cult in a Lower Manhattan apartment building. This claustrophobic series is permeated with a growing sense of dread and relies heavily on an excellent performance from Athie. Though the show was sadly canceled after a single season, you can still listen to the podcast that inspired it if you want to dig even further into the tale.
The Haunting of Hill House
This ghost story centers on five adult siblings haunted by paranormal experiences that caused them to flee the family mansion years before. Loosely based on Shirley Jackson’s gothic horror novel of the same name, this creepy tale is skillfully directed by Mike Flanagan (Doctor Sleep), ably assisted by a strong cast that includes Carla Gugino, Timothy Hutton, and Victoria Pedretti. It is a complex and terrifying family drama, packed with spine-chilling imagery, that builds to a frightening climax. If you enjoy this, Flanagan’s Midnight Mass is also worth a look.
Grotesquerie
This fever dream of a show sees hard-boiled alcoholic detective Lois Tryon, brilliantly played by Niecy Nash, trying to track down a twisted killer with a penchant for gory religious tableaus. She enlists the help of a true-crime-obsessed journalist nun, played ably by Micaela Diamond. There are also notable turns from Lesley Manville as a Ratched-reminiscent nurse, Nicholas Chavez (Monsters) as a crazy priest, Courtney B. Vance as Tryon’s husband in a coma, and Travis Kelce making his acting debut.
Ash vs. Evil Dead
Rumored for years, fans of the Evil Dead movies finally got what they wanted when star Bruce Campbell reunited with director Sam Raimi to revive the ultimate horror anti-hero. Campbell was born to play wisecracking idiot Ash as he wades into deadites and demons to save humanity with a chainsaw and a boomstick. Raimi directs the first episode, Campbell stars throughout, and this is slapstick gore at its finest. The supporting cast has plenty of chemistry, and includes a fun turn from Lucy Lawless. And, while the frenetic action is mostly played for laughs, the gross-out gore hits impressive highs, or should that be lows?
Hannibal
Set years before The Silence of the Lambs, this atmospheric show follows FBI special agent Will Graham as he tries to track down Hannibal Lecter without losing his sanity. Bryan Fuller’s blood-soaked show is gorgeously cinematic with plenty of tension, haunting visuals, and an ambient score that immerses you, but Mads Mikkelsen’s tightrope act as he veers from charismatic to cannibal is what makes this essential viewing. The supporting cast, which includes Gillian Anderson and Laurence Fishburne, is not bad either.
American Horror Story
I have a love/hate relationship with the anthology series American Horror Story, but with 10 self-contained seasons spanning classic horror scenarios, not to mention a stellar cast that includes Jessica Lange, it demands a place here. For me, it peaked early with the asylum in the second season, and subsequent seasons have been hit-or-miss. It’s fun for horror fans playing spot-the-trope, and the campy thrills come thick and fast, but it’s a guilty pleasure that can occasionally feel glib and exploitative, especially when it attempts to tie in real-life history. If you enjoy AHS, check out the sorority slasher Scream Queens, starring Emma Roberts as a loathsome mean girl and Jamie Lee Curtis as the school dean.
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The residents of this small town in middle America find they cannot leave, and something evil comes out to hunt them when the sun goes down. While exactly where this spooky slow-burner is headed remains to be seen, it’s creepy enough to be worth a look. Harold Perrineau grounds the show with a compelling turn as Sheriff Boyd, struggling to hold his community together. Two seasons in, it’s light on answers, but I’m excited to see where they go with season three, which is airing now.
Bates Motel
Another horror prequel, Bates Motel is set in a time long before Psycho when Norman Bates is just a young lad who comes to an Oregon town with his mother to fix up a dilapidated motel. Despite their best efforts to start a new life, everything seems to conspire against them, and the seams begin to show quite quickly as Norman struggles to maintain his mental health. Anthony Perkins is a hard act to follow, but Freddie Highmore is convincing as a young Norman, and Vera Farmiga is excellent as his mother Norma. Their relationship is the heart of this suspenseful show. Unlike many listed here, Bates Motel got five seasons to build to a satisfying conclusion.
Them
The Emory family relocates from the rural South to East Compton, but as the first Black family in the neighborhood, they are not welcomed with open arms. The deeply unpleasant Betty (Alison Pill) makes it her mission to drive them out, and there’s a depressing lack of dissent to her rabid racism. The supernatural element feels thin, as each family member is haunted by their own ghost because it all pales in comparison to the real horrors they encounter in ’50s America. Deborah Ayorinde and Ashley Thomas are excellent as the Emorys. The second season focuses on a homicide detective and an entirely new story, and is even better than the first.
Marianne
A famous horror writer is lured back to her hometown by the death of a childhood friend and must take on an evil spirit who has been haunting her nightmares for years. This French show starts strong with a foreboding atmosphere and some chilling sequences. While it plays with familiar horror tropes, it is stylish and slick with a touch of humor, and leaning into witchcraft works perfectly in the old coastal town setting. Mireille Herbstmeyer makes the series work thanks to a truly unnerving performance as Madame Daugeron. It lost its way a little toward the end, it still shouldn’t have been canceled.
The Fall of the House of Usher
This fresh take on Edgar Allan Poe’s famous work casts the cursed Usher clan as opiate-peddling billionaires. The sordid tale is told by Roderick Usher (Bruce Greenwood) as he sits swilling whiskey in a dilapidated mansion, recounting the untimely demise of his family members to detective Auguste Dupin (Carl Lumbly) with a growing sense of dread. This grisly, gothic, and engrossing tale is Mike Flanagan’s final flourish for Netflix, and it comes closest to his previous best (Hill House).
Lovecraft Country
Atticus Freeman travels across 1950s America to find his father, but the horrors awaiting this young Black man reach beyond Jim Crow into Lovecraft’s twisted imagination. Beautifully crafted and daringly subversive, Lovecraft Country marries the real American horror of racism with Lovecraftian cults and monsters, as both step from the shadows to scare us. The much-missed Michael K. Williams and the wonderful Wunmi Mosaku stand out in this excellent cast.
The Outsider
When the mutilated corpse of a young boy is discovered in the woods of a small town in Oklahoma, detectives think they have a clear culprit, but an ironclad alibi throws a spanner in the works. This show is based on a Stephen King novel, though it doesn’t feel like one. Instead, it comes off as a Scandi crime drama at first, with a glacial pace that painstakingly builds a growing sense of dread. Ben Mendelsohn steers us through the gloom, and there are solid performances from Cynthia Erivo, Paddy Considine, and Jason Bateman (who directs a couple of episodes). King fans hungry for another detective show should also check out Mr. Mercedes, where a broken-down retired detective played by Brendan Gleeson hunts a psychopathic killer.
Yellowjackets
A high school girls’ soccer team is stranded in the wilderness of Canada after a plane crash, and as temperatures plummet and supplies dwindle, they are forced to take desperate measures to survive. There’s a nostalgic tinge to this for kids of the ’90s, and the action flicks between the 1996 crash and the survivors coming together again 25 years later. Things get unspeakably messed up throughout the first two seasons as we jump around in time, and a third season is due to land next year. An excellent cast boasts Juliette Lewis, Christina Ricci, and Lauren Ambrose.
